More to the point, it uses that language specifically to describe them.

So how immersion breaking is it to haveTaash use modern language like this?

But that’s true of a lot of Dragon Age, and fantasy storytelling in general.

Jason and Lucia on the hood of their car in the key art for Grand Theft Auto 6.

Arrows, instead, were ‘loosed’.

The banter between companions (less mean in The Veilguard) has often been based on modern friendship dynamics.

Many of the struggles faced by the various communities are analogous to modern day issues.

Minecraft Movie Builds Header with chicken jockey, mushroom house and chicken shop.

Varric’s book signing is anachronistic.

Why ‘Non-Binary’ Is A Sticking Point

But non-binary is different.

It is a very modern word, more modern than its 1940s roots suggest.

Dark Brotherhood in Oblivion Remastered

In one scene, Rook says Assan is “feeling his oats”.

However, it dates back to the 19th century and meant an animal in a particularly happy mood.

However, I don’t think it’s so simple.

Taash leaning over Rook in Dragon Age The Veilguard.

He’s notreallytrans, he’s this fictional thing.

Taash is not some more approachable, hollow, easily overlooked made up fantasy nonsense.

They are not Krem, where players are left to wonder if that ‘really’ means they are trans.

Taash saying nobody likes being a woman in Dragon Age The Veilguard

This all brings us back to where we started.

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Taash is recruited by Rook in Dragon Age The Veilguard

Krem talking in Dragon Age: Inquisition.

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Dragon Age_ The Veilguard Takedown on Wraith

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Taash in Dragon Age: The Veilguard

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Dragon Age Veilguard Dark Squall

Rook talking to Isabela in Dragon Age: The Veilguard

Rook fighting in Dragon Age: The Veilguard

Emmrich romance scene in Dragon Age: The Veilguard showing two skeleton statues embracing a kiss

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